Charlotte E. English

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On The Unique Pains of Being English

Posted on May 17, 2012 by Charlotte
4 Comments

I was back in my beloved England for a week last month. As I wandered around the endearingly narrow, cobbled streets of Lincoln’s old quarter it was reassuring to know that most of the people I passed were probably as awkward, unsure and generally inept in social situations as I am.

It is, after all, the English way.

It’s funny that you often don’t even notice the things that make your own countrymen unique until you leave for a while. I never found it odd that the English have trouble being altogether serious and tend to joke with a completely straight face. I’m never puzzled by the frequency with which we return to the weather as a topic of conversation. Faced with poor service and bad food at a restaurant, a typical English person will tell the waiter that everything is fine – then never go back again. We say things like “mustn’t grumble” and then proceed to do exactly that – about the weather, if nothing else offers. We are amazing at forming lines and consider queue-jumping to be one of the worst of all social sins. All of this seems perfectly natural to me.

None of it is even remotely comprehensible to the Dutch. Our habit of finding something nice to say instead of being critical may be prompted by a desire to avoid wounding people, but to the Dutch – noted for their forthright honesty in all things, even if it’s the verbal equivalent of a slap in the face – it is hypocrisy. I’m sure other people are tremendously bored by the weather as a constant topic of conversation; in fact, so are we. What isn’t apparent is that it’s not about the weather, it’s a universal social facilitator. You hear “goodness, haven’t we had a lot of rain?” I hear: “I’m making an awkward attempt at conversation here and I am beginning with something innocuous so it isn’t too personal if I am rebuffed.”

How odd the customs of others appear, and how perfectly sensible are our own.

In case any of you ever travel to England and wonder how to interpret these strange behaviours, here’s a miniature guide to the English:

Talking About the Weather

No one’s really any more interested in the weather conditions than you are. The truth is that many English people are… unsure in company and not exactly smooth talkers. If somebody comments on how unexpected the sunshine’s been and how it’s bound to disappear before long though and the forecast says it’ll rain by tomorrow, for god’s sake don’t say “Why the hell should I care?”. By saying something friendly and inoffensive back, you’re signalling that you’re a perfectly approachable human being and quite safe to talk to. Find a way to be funny about it and you’ll even manage to suggest that the poor English chap or chapette might even enjoy the conversation.

Which brings me on to…

Humour

This habit is deeply ingrained in me and the majority of my family and friends. It often consists of saying the exact opposite of what you really mean, and doing so with a straight face. Or saying something perfectly absurd in the same style, knowing all the while that the people around you will correctly decipher what you said (or in fact didn’t say). I can understand why this is confusing. When I speak to people who aren’t used to it it’s often a gamble as to whether I’m interpreted as amusing or just deranged.

We probably aren’t deranged. Honestly. It’s just something we do. Why? Well… no idea actually.

Being Polite

Over the course of my several months in the Netherlands I’ve become aware that even my nearest friends are sometimes unsure whether I’m telling the truth. This can be painful on occasion. I think it comes from a combination of factors:

- English reserve is a strong trait in me so I’m never very demonstrative. I may mildly approve of something or I may LOVE IT TO DEATH; either way I’ll react in much the same, rather muted way.

- That humour thing. Did she mean what she just said or was she joking? Straight face… can’t tell.

- Politeness. I touched on this one above. Many English people have a raging fear of two things in particular: embarrassment and “making a scene”. We so much hate to be embarrassed ourselves that we’d never say anything that might embarrass someone else – and really many of us would rather fall on our swords than be the centre of a huge “fuss”. So I may hate that giant purple feathered hat you’re wearing but I probably won’t say so. It’s not that I’ll go to the opposite extreme and profess to worship it when I don’t, though – I’ll just stew in embarrassment for several long seconds while I try to think up something inoffensive to say that doesn’t express either a favourable or a negative opinion.

Yes, all these things lead to my being a rather difficult person to engage in consistent conversation sometimes.

Socialising… or not

I’ve sometimes wondered why the English have such conflicting reputations abroad. On the one hand we’re known to be somewhat reserved but unfailingly polite and generally pretty civilised, right? On the other hand there’s that whole issue of football hooligans smashing things overseas in their raging drunkenness and making total tits of themselves. The fact is, socialising is such hard work for many of us that alcohol is practically required in order to do away with all those crippling fears of embarrassing ourselves, or someone else.

Unless you’re like me and prefer to wash your hands of the whole issue and be a total hermit, in which case it doesn’t matter anyway. Go away, world.

That Thing About Class

Okay. It’s probably true that the English still have an ingrained class system but what many people don’t realise is that it has nothing to do with wealth. It doesn’t even have much to do with birth, these days. It’s far, far more complicated than that. I won’t go into an exhaustive attempt to explain it but suffice to say that it’s your manners, appearance, habits and preferences that tell people what your class background is. You can be penniless and upper class… or absurdly wealthy and lower class.

This also is something I was so familiar with that I didn’t even notice it happening. I’ve learned in recent years that my family background is, for the most part, lower-middle to middle-middle but due to certain influences and experiences I act more like upper-middle, a lot of the time. These things influence my likes and dislikes in ways that are even a bit disturbing.

It’s odd but in some ways I’ve never felt more English than in the past year, living in a foreign country and repeatedly made aware of the things about my personality that aren’t so much me as just English. It’s funny that whenever I bump into a fellow Englishman-or-woman over here, the same topics of conversation come up right away – like how rigidly neat these Dutch towns are and how we miss our rambling hedgerows and how wretchedly interfering and rude they can be when they think you haven’t washed your windows recently enough. Nobody needs to explain why these things are peculiar to us; we just smile ruefully and laugh and then go home for another cup of tea.

***

This post came about because of that visit I paid in April, but also because there’s a certain book I like that’s come up in conversation a few times recently. It’s called “Watching the English” by anthropologist Kate Fox. It’s a very amusing look at why the English are as weird as we are. It’s very readable, so if you fancy laughing at the English some more it’s well worth picking up a copy.

Categories: Expat Life | Tags: British, English, expat, expatriate, Holland, the Netherlands

How Much Does Protagonist Gender Matter?

Posted on May 7, 2012 by Charlotte
9 Comments

It’s sadly true that the fantasy genre was male-dominated for a long time. You could argue that fantasy and science-fiction still are; that there are still more male authors writing in these genres than women, and more male central characters than female ones. But that’s not really what I want to talk about today. The speculative fiction category as a whole has opened up a lot in recent years, and I know I for one have no problem finding loads of books with women as the protagonists if that’s what I want.

What I’m interested in is how often people do want protagonists to reflect their own gender, and how far it matters.

I mean, I love reading books with good female protagonists. I say “good” because I’ve encountered some awful ones: women that largely behaved like men with breasts, or women who were unrealistically girlie in ways that I’ve never encountered in real life (were all those examples written by men? I don’t know. I wish I could remember because that’s an interesting point). Anyway, when it’s done well it works beautifully for me: I am a woman so I relate better to female characters. It’s easier to understand them.

On the other hand, I’m rather fascinated by male protagonists, especially when they’re written by men, and that’s precisely because they’re less like me. It’s a part of life I’ll never experience directly, so it can be particularly interesting to read about (the same issue of believability applies here, but it’s harder for me to spot when it goes wrong. Are there common ways that men behave with each other when women aren’t around? I may never know).

All this applies when I write, too. I like to write about female protagonists the most, because it’s where I’m most comfortable (that’s aside from any feelings I may have of wishing to contribute something to balance out the under-representation of women in speculative fiction). But it can be very interesting, if challenging, to write male characters, too.

But I know that some readers are really uncomfortable about male protagonists/point-of-view characters written by women, or vice versa, because of the issue I touched on above: the possibility of getting it very wrong due to an inability to relate properly to that gender. And writers can be sensitive about that. I’m thinking of Robin Hobb, who reportedly chose a gender-neutral pen name because the main character in her Assassin series, Fitz, is a man but she herself is a woman. Obviously she had full confidence that she could write that character well (and personally I think she did, though of course I’m not a man). Her concern was that readers would balk at picking up a book that presented a male, first-person-narrated protagonist written by a woman. I wonder if she was right to be worried, or whether most of us are more open-minded than that?

That leads me to my questions. How important is the protagonist’s gender in fiction? (Not just sci-fi and fantasy). Do you get on better with main characters who have the same gender as you? If you write, do you automatically choose main characters whose gender is the same as yours – and if not, why not? And as readers, do you think it’s impossible for people to write believable characters in the opposite gender to their own?

Categories: Books, Writing | Tags: fantasy fiction, female protagonists, gender, gender roles, male protagonists, reading, writing

Orlind (Draykon #3) is Released Today!

Posted on April 30, 2012 by Charlotte
14 Comments
Orlind

Dear all,

I’m happy to announce that the third (and final) book in my Draykon Series has just gone live on Smashwords and Amazon! Woo! You can find it at Smashwords, Amazon US and Amazon UK so far. Barnes and Noble, Sony, Kobo and Apple will follow in the next few weeks, all being well.

This marks the end of this sequence, though as I’ve said before I have plans to write a follow-up series in due course; stay tuned for more details on that later.

The reviews have already been very good, I’m delighted to say (many thanks to my ARC readers!). I hope that it will prove a satisfying and entertaining finale to those of you inclined to read along.

And if you haven’t yet seen the cover… here it is!

Categories: Books, Draykon Series, Writing | Tags: books, Charlotte E. English, Draykon Series, ebooks, indie author, Orlind, self-publishing, writing

Orlind (Draykon #3) Release Events!

Posted on April 23, 2012 by Charlotte
4 Comments

I’m back from England, having had many adventures… more about that later this week. For now it’s time to talk about Orlind, when it’s out and what are we doing to celebrate?!

The release date, all being well, will be April 30th. Gracious, that’s next Monday! Seven days! This will mark the completion of my first fantasy series and I’m terrifically excited about it.

To launch the book in style, we have a week of events going across three excellent book blogs ahead of the release. The bloggers are:

Ritesh at Ritesh Kala’s Book Reviews

Beth at Ebook Apothecary

Kate at Urban Fantasy Reviews

The schedule:

First of all take note of the giveaway being held at Ritesh’s blog. This includes chances to win the first book in the series or even all three, yay. It’s easy to enter, too. If you know anyone who might like these books, do pass on the details of this giveaway – it’s a great chance to give them a try for free.

The week at Ritesh’s blog:

23rd April: A biographical post by me.
24th: I introduce the Draykon Series in another guest post.
25th: Ritesh’s review of Orlind!
26th: An extended interview with me.
27th: I talk about how self-publishing is changing the way we read.
28th: A short story about Tren.

The “Rikbeek” week at Ebook Apothecary:

26th: An interview with Rikbeek!
27th: An excerpt from Orlind, featuring Rikbeek.
28th: A short story about Rikbeek.
29th: Beth’s review of Orlind.

The week at Urban Fantasy Reviews:

26th: An interview with Llandry and Eva.
27th: A guest post by me, about fantasy heroines.
28th: A short story about Llandry, Sigwide and a bunch of birds.
30th: Kate’s review of Orlind.

I’ll be updating this post with links to individual posts as we go through. I’ll also be linking to each post and event on twitter and facebook – do follow me there if you want an easy way to keep track! These bloggers are terrific and tremendously supportive of the indie author community so they deserve plenty of love and attention; please share their posts and blogs with any interested parties that you know.

Enjoy the events! I’ll be off to format Orlind for Smashwords… almost there!

 

Categories: Books, Draykon Series, Writing | Tags: books, Charlotte E. English, Draykon Series, indie author, Lokant, Orlind, self-publishing

On Pretending to be Dutch: Birthdays

Posted on April 12, 2012 by Charlotte
17 Comments

So last Friday was my birthday, the first such occasion since I moved to Holland. I viewed the approaching event with some trepidation. Why? Well, because the Dutch appear to take birthdays pretty seriously. I knew I had The Ritual approaching.

Sure enough, about three weeks in advance people started asking me if I was planning to celebrate my birthday. Apparently that question really means when are you celebrating your birthday? Because when I said I wasn’t planning to, the response was a sort of mild shock. What? Not… celebrating? B-but…

The Dutch Birthday Ritual is serious stuff and it goes as follows:

Step one: The birthday person gives out the date and time of the proposed celebration. To everyone, because one does expect everyone to turn up.

Step two: The birthday person buys (or bakes) copious quantities of cake to feed to everyone. (That’s right: the birthday person is the giver rather than the receiver of cake).

Step three: Everyone arrives. Everyone.

Step four: Birthday person is kissed and shaken hands with and congratulated a great deal. This is the first oddity. Happy birthday is one thing. But congratulations? On what? The fact that I’m still breathing after another year? Is that an achievement? It wasn’t that hard, I just… kept on doing it.

Step five: Everyone congratulates everyone else. Everyone. My partner is congratulated on my birthday. My friends are congratulated on the fact that I’m having a birthday. Everybody applauds everybody for knowing someone who’s still breathing after another whole year. It’s so terrifically friendly and so terrifically … er, bizarre.

Step six: Chat lots and eat lots of cake (I can get behind that last part pretty well).

Step seven: Repeat steps four to six as necessary throughout the evening as the rest of the neighbourhood arrives.

So, was I up for all of that?

Well… no. I mean, every time I attend a birthday party I get kissed more in an hour than I usually do in a month. What horrors should I expect when it’s my own birthday? For a reserved, straight-laced English girl it’s all a bit alarming.

I’ll get used to it.

So I celebrated in typically hermit style, which largely consisted of trying to pretend that it wasn’t my birthday.

But April is the month of birthdays (is there anyone who isn’t having a birthday this month? Honestly?) and today I have someone else’s celebration to attend. So I’m off to distribute congratulations and try not to be too awkward and embarrassed by all the kissing.

Sometimes, being English is a bit of a chore.

Toodle-pip, peeps.

 

 

Categories: Expat Life | Tags: birthdays, Dutch, expat, expatriate, Holland, the Netherlands

Introducing a New Cover Artist

Posted on April 8, 2012 by Charlotte
3 Comments

You  may notice that one of the book covers over to the right there (—>) has changed. That’s because Leximandra Reports has a shiny new book cover!

The artist is Eva Strikkers, who has lately been working with my regular cover artist, Elsa Kroese. They’ve been doing Spindrift work together for the most part, but Eva also did a beautiful new cover for my short story collection. Here it is to admire:

The scene shows Tren bringing in a somewhat messed-up Night Cloak over Glour, which occurs in the first story in this collection. Notice the brilliant magical map at the bottom! I love this piece and I hope Eva will be doing a lot more book covers in her future career.

She keeps a blog called Creations of Eve, if you’d like to visit and see what else she gets up to. Thank you, Eva, for this beautiful piece of art!

Categories: Books, Publishing | Tags: cover artists, Draykon Series, Eva Strikkers, fantasy cover art, Leximandra Reports

Wattpad Featured Read

Posted on March 31, 2012 by Charlotte
1 Comment

Have you heard about Wattpad yet? If not, it’s an online reading community that specialises in sending fiction to your mobile phone. Anybody can upload stories to the site, and every book on there is free to read. It’s an interesting way to test out new authors.

Draykon #1 has been up there for a while now (in its entirety), and as of today it’s a featured read on the site. This means quite a bit more exposure for the book, and it’ll be interesting to see what that does for my audience. I also have two other titles up there presently: Leximandra Reports, which is the short story collection featuring Draykon characters, and The Rostikov Legacy, the first in my  new supernatural mystery series.

I’ve been checking out some of the other books on there recently, and there’s some good stuff – especially among the featured reads. If you like reading off your phone (or in your browser), I do recommend having a browse! Here’s a link: http://www.wattpad.com

PS The Map Project is currently about one-third of the way towards its target! Cheer! Buckets of thanks to those who’ve already participated. If you’d still like to, there’s plenty of time left to get involved. Every bit helps, and I’ll be making sure that every contributor gets plenty from me in return.

Have a great weekend!

 

Categories: Draykon Series, Publishing | Tags: books, Draykon Series, e-reading, ebooks, fantasy fiction, free ebooks, reading, wattpad

The Draykon Map Project is underway!

Posted on March 26, 2012 by Charlotte
No Comments

I notice that people sometimes use the word “kickstarter” as a synonym for crowdfunding in general. Kickstarter.com is certainly the big name in crowdfunding websites, and I can see why. It’s bigger, slicker and a lot more flexible than many alternatives.

Unfortunately, it’s also US-only. So instead, I’m giving crowdfunder.co.uk a try for my first ever crowd funding campaign. This is my test run, I suppose, so I’m sure I’ll make some mistakes this time around. But I’ll be learning the ropes, too, and experience all spends.

Here’s the project link: http://www.crowdfunder.co.uk/investment/the-draykon-map-project-702

As I talked about here, the purpose of this project is to raise the funds necessary to get a map done for the Draykon Series. Not just a map, but a glorious, beautiful map done by Ms Elsa Kroese, one that will serve the whole series-of-series that I have planned for the Draykon world. The map has been low on my priority list up until now, because unlike the text (duh), the format and the book cover, it isn’t absolutely vital that I have one in order to publish the series.

But such things are so worth doing, even if they aren’t easy to acquire. Now, I have a bunch of extra challenges to get past as a non-US resident, one of which is that it takes me a lot longer to get paid than many of my fellow indies.  So this is an alternative to waiting any longer (potentially much longer) to get the map done. I’ve done my best to make some interesting rewards available for participation, including some exclusive stuff I won’t be offering anywhere else.

The project got started a couple of days ago (just in time for the weekend, oh yes. That was beautifully planned). It’ll run for 28 days more from today, so there’s quite a lot of time to participate if you’d like to.

Rewards include:

Ebook packs containing ALL my titles, for every contribution of £10 and above (between you and me, I’m happy to give that out for donations of less than £10 as well, only Crowdfunder wouldn’t let me set a reward threshhold beneath that minimum level. So unofficially, all contributions get the book pack). The pack will include all three Draykon novels in the 2nd edition, which will include the new map plus a glossary and a couple of other extras. It’ll also include my Malykant Mysteries titles: #1 (The Rostikov Legacy) and #2 which isn’t out yet. These will be DRM-free and therefore shareable, and in any format.

The Map, in digital. Desktop-sized, digitally signed by both author and artist.

Prints of the cover art, or the new map. Signed by hand, by me.

Paperbacks. Also signed and personalised by me.

Any and all contributions are welcome, and I’ll do my best to ensure that everyone participating gets plenty in return for the help. Even if you’re not interested in contributing (or simply can’t right now), any and all help promoting the project will be much appreciated also. Many thanks to those who’ve already helped to spread the word, and/or made contributions! Let’s hope we can make it work between us, and then see what Elsa can do with the Seven Realms world.

I’ll have a bit of news to share later this week. In the meantime, have a great few days – especially if you’re getting the same unseasonably warm spring weather we’re enjoying in Holland right now.

Categories: Draykon Series, Publishing | Tags: books, Charlotte E. English, crowd funding, Draykon Series, ebooks, indie author, indie publishing, map, self-publishing

Eight Places to Get Free Ebooks

Posted on March 19, 2012 by Charlotte
4 Comments

So. Raise your hand if you’re a book addict with a less-than-entirely-adequate budget.

*raises hand*

Raise your hand again if you’ve always been a book addict with a less-than-entirely-adequate budget.

*raises hand*

Raise your hand a third time if you’re not living in an English-speaking country, and therefore 2nd-hand English books are scarce and borrowing is tricky.

*hand still in the air*

One of the first things I did when I moved to Holland (after the mad scramble to make our new apartment habitable) was to look into the problem of feeding my book habit. I quickly realised that paper books aren’t really  my friend anymore; they’re expensive, hard to track down, expensive, relatively scarce, and expensive. Even second hand.

Ebooks are my friend.

Over the last several months I’ve managed to hunt up loads of places to get free (or cheap) ebooks from, and I thought I’d share.

But before I do, let me just add: I’m no enemy to buying books. Hell, no. I love supporting my favourite authors and I wish I could afford to do more of it. But I can’t just whistle loads of spare income out of the trees. So until my fairy godmother gets her behind in gear and turns me into Cinderella, I’ll just have to carry on with the make-do-and-mend approach.

And yes, these are all legal and non-piratical. Not an eyepatch in sight.

I give you… the Eight Wonders of Ebookery!

Amazon

A few months ago, Amazon wouldn’t have been at the top of my list. But that was before KDP Select. (This is an optional programme that forces an author to make their books exclusive to Amazon, in return offering them the chance to set their books to free for a few days out of every 90). Since then, the numbers of free books turning up on Amazon every week has sky rocketed. No surprise really: there are thousands of us indies desperately looking for exposure. You could spend an hour on Amazon and hoover up enough free fiction to keep you going for a year.

What I really want to share in relation to Amazon is this: eReaderIQ.com. This is a seriously handy-dandy way to trawl for freebies on Amazon without having to trudge through all their categories one at a time. Try it out. It’s fab.

And don’t forget that you don’t need a kindle to read Amazon books. You can also read them on any device that can handle a kindle app (like iPads, and a bunch of others. Check Amazon for more).

Note: Yes, most other major ebook stores have freebies as well (Sony, Kobo, iTunes, etc). I’m not going to list them all, because that would be a waste of time and perfectly good wordery.

Smashwords

Same issue as Amazon. Loads of hungry indie authors, loads of free books. Smashwords holds all the indies who haven’t gone over to KDP Select, so it’s worth checking out both of them. And the big advantage: you can download books in any format you like, for any ereader.

Project Gutenberg

Everything on this site is free, and everything on it is out-of-copyright. If you like your classics, this is the place to go. It’s great because it also has more obscure titles by people you weren’t forced to read for GCSE English.

Baen Books Free Library

It’s tempting to assume that it’s mostly – or even solely – indie authors who consistently give away titles, but that isn’t quite true. Baen is a publishing company, and somebody over there cottoned on to the fact that free reads can be a great way of expanding your readership. So there’s the Baen Books Free Library, with loads of instantly-downloadable freebies. (These are fantasy and sci-fi titles only).

LibraryThing

LT is a big online book club which holds regular giveaways. There’s the early reviewer programme, which offers you the chance to get pre-release books on the agreement that you’ll write a review. Then there’s the more general member giveaway programme, which just offers free books – reviews appreciated but not mandatory. Many of these titles can only be claimed by people living in the centre of the universe (aka the US), but the rest of us can still pick up some good stuff once in a while. Oh, and these are a mix of paperbacks and ebooks (though again, don’t expect to pick up any paperbacks if you aren’t living in the US, the UK or maybe Canada).

Note: if you’re an author and you want to clock up a few more reviews, it’s simple and easy to set up a member giveaway to offer some ebook copies. This has worked well for me, especially since it’s aimed at (potentially) all ebook readers, not just Amazon-buyers.

Goodreads

Like LibraryThing, Goodreads is an online book club. Personally I like it better than LT… for everything except giveaways. They don’t allow ebook giveaways, for some reason, so it’s paperbacks only – and that naturally screws over anyone outside the US or the UK, all over again. I include it here because it is still a source of free books for the geographically advantaged.

Wattpad

This is something of an odd-one-out in here, but I wanted to include it anyway. Wattpad is a mobile reading community, which means it’s set up to deliver fiction to your mobile phone (though you can read online out of your browser, too). There’s buckets of free fiction on here, and more going up all the time. It has a high proportion of fan fiction right now, but I believe they’re taking steps to increase the quantity of strong, original fiction on there. It’s well worth checking out, especially if you read on your mobile.

Podiobooks

Another odd-one-out, but still relevant: podiobooks. This is the happy home for audio books, delivered as podcasts – so you don’t even need an e-reader to enjoy these. Also, they’re all free. Huzzah.

That’s it for now: eight places to go to feed your e-reading (or e-listening) habit. Enjoy!

Categories: Books, E-reading | Tags: books, e-reading, ebooks, free ebooks, international e-readers, reading

What Makes a Book Readable?

Posted on March 14, 2012 by Charlotte
2 Comments

I’m going to say right at the beginning: it’s not the technical stuff that makes a book readable. And with the word “readable” I am referring to the page-turning, compulsive, can’t-put-it-down, must-know-how-it-ends, loving-this-experience sorts of qualities that send readers reaching for the next book. It has a lot to do with the depth of the characters, the realism of the dialogue, the strength of the plot, the book’s structure and the writing style, but those things alone aren’t enough. Think about it. We’ve all read books that were seriously good in the technical sense but that failed to capture us. We’ve probably all read books that were pretty shoddily constructed and full of flaws, but nonetheless gripping.

This is a crushing conclusion to reach, because it makes writing books really hard. We can read manuals and blogs and take writing courses and discuss with other writers as much as we like; those things will help us tighten up our prose and fix our plot problems and give more life to our characters but they won’t – can’t – teach us everything.  It’s like following a road map that gets you 75% of the way to your destination and then abandons you, with a cheery wave, to guess the rest yourself. Good luck, friend. Hope you make it.

The reason for all of this is… nobody really knows what it is that makes a book gripping or flat, but as readers we know pretty quickly whether it works or not. If the book doesn’t draw us in, then it doesn’t matter how beautifully constructed it is: we won’t care about the story. On the other hand, if it’s got that special quality that drags us into the tale and keeps us turning pages, then we can spot any number of faults with the thing and we won’t care. Even more confusingly, the weird alchemy that authors pull with each book  isn’t an absolute thing: it’ll work for some people and not for others.

So how do you get it right? What is that special quality made of? If you can’t get it by following the literature-by-numbers rules, then where does it come from? Fairy dust? Magic?

I’ve been thinking this over this week because I’ve been reading Jim Butcher’s Dresden Files. I’m up to book#7 so far. The series got off to a really shaky start. The “mysteries” were lamentably obvious, some of the characters failed hard at the literary work they were supposed to be doing, and there were plot holes all over the place. But somehow, I still had to keep reading.

By book #3 the technical stuff got a lot better, but it’s still suspect. The books are quite formulaic, and the same stuff happens over and over again. Harry gets into trouble. Harry gets beaten up almost to the point of death, but somehow staggers on. Harry spends ages (AGES!) fighting insuperable odds, and manages to overcome them anyway. There are still plot holes, there are INCREDIBLY lucky (or unlucky) coincidences, and an occasional deus-ex-machina to liven things up. And while the writing works fine, it isn’t terribly sophisticated. I’ve read much better.

These are the sorts of things that I’ve seriously slammed books for in the past, but I’m still reading this series. Why? I don’t even know! It’s addictive. The fact is, in spite of all their flaws these books are some of the most entertaining stories I’ve read in a long time. It’s purely about the fun-fun-fun factor and I don’t even know where it comes from. Fairy dust, for all I know (I’m looking at you, Toot-toot!). And this is one of the most popular fantasy series around at the moment.

Similar things can be said of plenty of other books, like Dan Brown’s or Stephanie Meyer’s. They’re frequently criticised for being poorly written in almost every possible way, and yet they’re some of the most popular books of the last decade (at the least). And Twilight may do nothing for me (in fact it’s outright nauseating), but it obviously works incredibly well for a lot of other people. So what’s going on with that? More fairy dust, I reckon. That must be it. I wonder if the authors even know precisely what it is about their books that makes them so compulsive to people?

This is one of the hardest things about being an author. You do the best job you can on all the technical stuff, but if you don’t know what’ll make it really work for a reader then how can you make sure you pull it off? What is the magic combination of ingredients? It’s like cooking without a recipe: you work by instinct and hope that your instincts are sound. The only way to find out whether the book is truly readable is to throw it out into the world and hope that a bit of that fairy dust got into the text while you were working. Then watch to see whether it sinks.

It’s a tricky business.

 

 

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